Sábado, 30 de Agosto de 2008

London





http://www.nyclondon.com/
publicado por Aufgang Luz Nebulosa às 04:09
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Gherkin





publicado por Aufgang Luz Nebulosa às 04:05
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Regent Park

publicado por Aufgang Luz Nebulosa às 04:04
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Sexta-feira, 29 de Agosto de 2008

Sharir Dance Company

Sharir Dance Company. - McCullough Theatre, Austin, Texas - dance reviews
Dance Magazine, March, 1997 by Sondra Lomax


Sharir Dance Company founder and coartistic director Yacov Sharir leads a double life as choreographer and cyberspace pioneer. His ongoing research in dance and new technologies includes computer-generated cyborgs which he manipulates through virtual space. To open his company's fourteenth season, Sharir featured some of his latest explorations in Cyber Human Dances/Hollow Ground 11, a blend of computerized animation and live dance.

Choreographed by Sharir with Andrea Beckham, the work opens to sounds of Carolyn Pavlik sticking to a vertical panel of Velcro strips. As she slides down the grid, the scratchy, ripping noises reverberate through the theater. She jumps into the grid again and instantly sticks, like cooked spaghetti flung onto a wall. It's a bizarre, funny scenario of Velcro versus gravity. Beckham rolls next, ripping and sticking loudly. Simultaneously, computerized video of a dancing silver cyborg figure is projected on and above the performers. The dancers soon forsake the grid and ooze into variations of the cyborg's stilted gyrations, an eerie display of art imitating technology.

Despite Sharir's well-documented computer research, the heart and soul of his choreography remains human bodies in motion. His latest pure dance work, 2x5+, illustrates Sharir's considerable talents. The dance seamlessly weaves unfolding arms and legs into a rich tapestry of kinetic designs framed by black and white costumes and Amarante L. Lucero's sophisticated lighting. Marika Chandler and David Chao's silky duet offers a microcosm of Sharir's skill in molding bodies through time and space. A movement feast, 2x5+ imbues intelligent, complex patterns with subtle emotion.

Unending Rose, by coartistic director Jose Luis Bustamante, features androgynous costuming (long-sleeved maroon tunics) and simple, clearly defined movements. The dance is in contrast to Bustamante's usual dense and physically complex works by its focus on uniformity: Gender distinctions are irrelevant; unison movements abound. The work is beautifully designed, like finely etched crystal.

Company member Bryan Green's In the Gallery of the Soul provides imagery ranging from organic (a couple sleeping) to surreal (the illusion of bodies floating above a bed). Green's clever dance, his first for the company, shows an upright bed where he and Theresa Hardy toss and turn, curl and uncurl in imaginary slumber. The skewed perspective offers a bird's-eye view of the sleeping couple's dreams.

The choreography and dancing by this Austin-based company are topnotch: fresh, athletic, controlled, and gutsy. Such quality productions have propelled the company into its current position as Texas's leading modern dance troupe, both in cyberspace and in the real world.

COPYRIGHT 1997 Dance Magazine, Inc.
COPYRIGHT 2004 Gale Group
publicado por Aufgang Luz Nebulosa às 15:20
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Lorenzo Pagliei

Lorenzo Pagliei
Carnets d'études : Percussion

L'Ircam poursuit ses "carnets d'études" initiés en 2007, par lesquels l'interprète, le compositeur et le chercheur repoussent les limitations de l'instrument et du logiciel.

Conçue avec l'interprète émérite qu'est Florent Jodelet, cette soirée agence la virtuosité rythmique (Carter, Maresz) et sonore (Naón, Alvarez).

Après le violon et la clarinette, Luis Naón porte ses Caprices vers la percussion réelle ou virtuelle, élargie par la modélisation physique. Lorenzo Pagliei travaille la cause et l'effet du geste de l'instrumentiste : une mécanique de l'action, de l'énergie et de la signification du geste, visant la polyphonie mais outrepassant le domaine sonore lorsqu'elle devient pantomime.
Florent Jodelet © Hélène BozziProgramme

* Elliott Carter Huit pièces pour timbales : March
* Lorenzo Pagliei L'apparente
Création mondiale, Cursus 2 *
* Yan Maresz Étude d'impacts
* Javier Alvarez Shekere, Estudio n°5
* Elliott Carter Huit pièces pour timbales : Adagio, Canto
* Luis Naón Caprices 5 et 6
Commande de l'Ircam-Centre Pompidou, Création mondiale **

Distribution

Florent Jodelet, Benjamin Huyghe, Hervé Trovel, percussions
Jean Bollinger, trompette
Alexis Descharmes, violoncelle
Réalisation informatique musicale Ircam Lorenzo Pagliei *, Manuel Poletti **
Encadrement pédagogique Jean Lochard *

Production Ircam-Centre Pompidou. Avec le soutien de la Sacem (bourses d’étude aux jeunes compositeurs du Cursus 2)
publicado por Aufgang Luz Nebulosa às 15:19
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Legendary Tiger Man

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Legendary Tiger Man is a one-man band show following the tradition of the roots and original Blues from the Mississippi's delta, where the blues-men performed playing and singing alone, and improvising rythms in the dance halls of the deep South.

Legendary Tiger Man is Paulo Furtado (ex-Tédio-boys, Wraygunn ), the man behind the kick, the hi-hat, the kazzoo, and the guitar.

Naked Blues (2001), Fuck Christmas, I got the blues (2003) and Masquerade (2006) are the three solo albuns released by this one man band. Since his first record, Legendary TigerMan has released his cds in most of Europe and has performed in Portugal, Spain, France, Belgium, England, Brasil and Japan. The new Album, Masquerade, shall be released in France, Belgium, Switzerland & Canada later this year, and in the USA in early 2007.
publicado por Aufgang Luz Nebulosa às 13:57
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Dostoevsky



Fyodor Mikhailovich Dostoevsky was a Russian novelist and writer of fiction whose works, including Crime and Punishment and The Brothers Karamazov, have had a profound and lasting effect on intellectual thought and world literature.

Dostoevsky's literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. His work is generally considered a precursor to both 20th century existentialism and postmodernism.

As Henry Miller wrote, "only when I first read Dostoevsky I heard real people speaking".
publicado por Aufgang Luz Nebulosa às 06:14
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The Estoril

publicado por Aufgang Luz Nebulosa às 06:08
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Estoril

publicado por Aufgang Luz Nebulosa às 06:02
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Sábado, 23 de Agosto de 2008

Adraga

publicado por Aufgang Luz Nebulosa às 07:15
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